Monday, March 25, 2013

Unpublished Accumulation

I began writing and drawing for Running With Cookies for kicks and giggles in 2011. Since then, my desk shelf has been accumulating random junks, unpublished posts, and pointless drawings. I don't remember the context of many of the pictures, so here they are, with my new interpretation of them.

1. I really hate bees. They are evil. Also, chicken.
 
 
2. I suck at hugging.
 
 


3. The plight of a bullied superhero working at a yoga store:


4. Dat glorious feel when I buy new gym shorts.
 
 
 
 

5. If my cat ever dies, it will be several days before we realize he isn't just asleep.


6. You can buy people's souls with Nutella.



7. My kitten likes stroking walls.

8. Reminiscing the good times we had with our departed cat



9. I don't even...why



10. It would be really fun to be a superhero cat in a lightning storm.

11. The biker who decided to spit on me on 4th street




12. Another cat picture





13. A poorly written Christmas song


14. A gaggle of Saxons?
 
15. I'm done with this blog post now.

 
 
 
 
 
 
 
words and art copyright 2011-2013 by Sabrina Smith

Tuesday, March 12, 2013

One Missed Call


        In the past three years of having my cell phone, I have received numerous calls for people that are not me, or related at all to me, or even in my time zone. There are a few specific names folks have called for on my number quite frequently over the years. I want to meet these people someday. I feel like I've watched them grow up; I've spent the last three years listening to phone calls they'll never get, answering texts inviting them to parties I wonder if they ever got to, and regretfully informing people I've never met that regardless of how much I'd love to join them for pizza and Despicable Me, I cannot, because I'm not Willis Buffington and I don't live in Montana. I've gotten so many texts from certain people that I have their number saved in my contacts.

        One such number belongs to a guy named Maurice. Maurice is my homie. Every few months I get a handful of calls and texts in the middle of the night asking me if I want to hang out. I kind of get my hopes up that someone wants me to hang out with them, and then I see it's just Maurice, and I tell him I'm still not Willis Buffington, and I go to sleep. I feel a little pang of guilt when I get those texts. I feel like I'm living vicariously through someone else's social life.

        Willis Buffington is an exceptionally popular person with colleges I've never heard of. I get phone calls from schools that Mr. Buffington apparently sent in an information request for. These conversations usually go along the lines of:
























 
 
 
 
 
 
       And then there's Jared. Jared is another freaky person who has my number. I actually called myself once from a friend's phone, and a guy named Jared picked up and told me I had the wrong number. I called the same number again, and my own phone went off. One of my favorite conversations I've ever had was with a girl calling Jared.
 
 
 
 
 
        I have also received ominous voicemails from a British answering machine for a Marshall Helburg.
 
 
 
 
        I listened to the entire message once.
 
 
       
 
 
 
            Just kidding. It was just a credit company calling to let Mr. Helburg know they needed to talk to him.
 
        I've often been tempted to do what my dad suggests and just call back and say to "meet me at the usual place" every time one of these lovely people happen across my phone number. It's perfect for any situation.
 
 

 
 
        Maybe Willis, Mr. Helburg, and Jared should all get their people together at the usual place. Like Maurice's house. Then maybe I can get some sleep.
 
 
 
 
*Note: Names of random people have been changed for their protection.
 
 
 
 
 
words and art copyright 2013 by Sabrina Smith
       

Running With Cookies is on Facebook!

        Hey guys, Running With Cookies has a facebook page now. So go there. Like it. Now.

For the lazy:

https://www.facebook.com/#!/pages/Running-With-Cookies/137790546395099?fref=ts

Saturday, March 9, 2013

How Running Is Like Dubstep

          Sports and I have always had a shaky relationship. It's sort of like one of those graphs in geometry, where when one end of a line gets longer, the other end will get longer as well. My feelings regarding sports are like that. I grow to love them more and more the older I get, and I also realized that I can hate them with a fantastic vehemence, and that this is directly relative to whether I'm a good sport or not. I like to think that this mystic love-hatred is my secret superpower.
 
           My younger sister plays basketball and volleyball. I usually go to her games with my mom, because we're really good at making fun of people together, and also she sometimes has enough money for a Gatorade. Most of the gyms my sister's team plays at are very small in terms of seating. Sometimes, it's just one long row of chairs against one wall for spectators, so there is no manner of censorship, for the sake of good sportmanship, between the two opposing teams' parents and friends.





 
 
 
 
 
 
 
 
 
 
       
 
 
            Under these circumstances, things can get violent.
 
 
 
 
 
 
 
 
          In this case I guess that spectating can be considered a sport, becuase there are times when it feels like the Hunger Games.
 
          I am an artiste, not an athlete, but I do run for exercise and healths and stuff. Every day, it's like a jazz fusion of emotions. I will illustrate my point using the basic foundations of...dubstep*.
 
*Note to superathletic people: I am not superathletic, so don't get on my case for not running however much you superathletic people do. Thanks.
 
 
1. The Intro
 
        Before I begin, here's an idea of what my running route generally looks like:
 
 
 
        It's wildly out of proportion, but all you really need to know is that there's a hill, a straight stretch of flat road, a right turn, and then another flat stretch that goes to a stop sign. I usually start from my house, go uphill, back down to the stop sign, and back to my house. There's a whole mystical mental preparation I go through prior to each run. It begins with a small, nagging, haunting voice way back in my brain.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
       
       So I begin to peruse the house on autopilot, putting on my running gear and grabbing my pepper spray with basically nothing in my brain. Eventually, I get outside, but every step I take between deciding to run and opening the front door is in slow motion, mostly because my body really likes to be not running. I set the timer and head up the hill.
 
 
2. Now Let's Add Some Synth
 
        As the hill gradually inclines, I start feeling really great about myself. I live in a gorgeous neighborhood, and for a time the mountains on one side of me and a huge valley on the other are distracting enough to keep me from realizing that I'm a weak person, and I feel a little bit like a pegasus unicorn frolicking amongst rainbows.
 
 
 
3. Drop The Bass
 
        About three quarters of the way up the hill, the treeline on my left stops, and suddenly mine eyes are saturated with blazing sunlight.
 
 
 
 
 
 
        I wear glasses as well, so the light catches in every flaw in the lenses and reflects directly into my eyeballs.
 
 
 
 
 
 

 
 
        I keep going, and reach the part of the hill where, in addition to the evil sun, I always run into a wicked upwind.
 
 
 
 
 
 
        The third head in this triumvirate of awesome things that happen every time I run is the demon-dog that resides at the top of the hill. By the time I reach the top, I'm not really feeling the frolicking unicorn pegasus thing anymore.
 
 
 
4. Interlude
 
        Once I start heading home, everything is fine for a time. I find a happy place and camp out.
 
 
 
 
 
5. Second Bass Drop (Optional)
 
 
        Two hours later, depending on whether I haven't been running recently, sometimes my body has a little revolution and decides not to have legs anymore. That's okay, I guess. The point is that I got some exercise.